Friday Performance Pick – 456

schumann

Schumann, Piano Quartet The chamber music of Robert Schumann (1810-1856) makes up a relative small portion of his large corpus of works. An extremely accomplished pianist, his compositions focus heavily on that instrument: works for solo piano, a piano concerto, and an enormous body of … Read more

Friday Performance Pick – 407

anton-reicha

Reicha, Woodwind Quintet, Op. 88, No. 2 I once considered writing my doctoral dissertation on Anton Reicha (1770-1836). For a variety of reasons, that didn’t happen, and I eventually chose a very different topic. But the under-researched Reicha offered plenty of material for a music … Read more

Friday Performance Pick – 376

anton-webern

Webern, Cinq Pièces Five pieces in under six minutes—it says something about the sparseness of Webern’s music. The Austrian composer Anton Webern (1883-1945) is one of three primary figures in the Second Viennese School. Arnold Schoenberg and his acolytes Webern and Berg pioneered the compositional … Read more

Friday Performance Pick – 189

carl-nielsen

Carl Nielsen, Quintet Op. 43 Carl Nielsen (1865-1931) ranks perhaps as Denmark’s most important composer, certainly one who plays an important role in the country’s artistic identity. He is also a study in contrasts. He may be classified as a nationalistic composer, and this owes … Read more

Friday Performance Pick – 182

Fauré

Fauré, Piano Trio, Op. 120 Gabriel Fauré (1845-1924) attended a boarding school for musicians with a conservative focus on church music and turning out good organists and choirmasters. During his time there, Camille Saint-Saëns took over the piano instruction, and opened his students ears to … Read more