Friday Performance Pick – 338

hoppstock-froberger

Froberger, Allemande from Suite XIX Johann Jakob Froberger (1616-1667) was the pre-eminent German composer of keyboard music in the mid 17th century. Few details are known about his biography, however. His father was Kapellmeister in Stuttgart, and Froberger presumably received his training there. He went … Read more

Friday Performance Pick – 331

couperin-prelude

Louis Couperin, Suite in A Minor The Couperin family formed a Parisian dynasty from the late 16th century through the mid-19th. Louis Couperin (1626-1661) was the third son of Charles (1595-1654) and the oldest to reach adulthood. His two younger brothers gained prominence as well: … Read more

Friday Performance Pick – 308

monteverdi

Monteverdi, Confitebor tibi Domine Claudio Monteverdi (1567-1643) had considerable success as both a Renaissance and Baroque composer. Those labels would come into use only later to describe his transition from one stylistic approach to another, but it was clear at the time that a new … Read more

Friday Performance Pick – 297

Telemann

Telemann, Overture “Burlesque de Quixotte” I have been occupied with Bach in the past few weeks, preparing our new Composer of the Month series. At the same time, I revisited the music of Georg Philipp Telemann (1681-1767). The two had a lot in common. But … Read more

Friday Performance Pick – 292

frescobaldi

Frescobaldi, Se l’aura spira tutta vezzosa Girolamo Frescobaldi (1583-1643) is described in The New Grove* as “the most influential keyboard composer of the first half of the 17th century” whose mature works “are among the most moving and distinctive statements of the early Baroque spirit … Read more

Friday Performance Pick – 283

js-bach

Bach, Brandenburg Concerto No. 4, BWV 1049 Very early on in this series, we featured Bach’s Brandenburg Concerto No. 2 filmed in Köthen’s Hall of Mirrors. It was an occasion to discuss Bach’s time in Köthen (from 1717-1723), where Bach lived and worked when he … Read more