Friday Performance Pick – 282

copland

Copland, Fanfare for the Common Man American music can be difficult to define, especially when so much of our music has its roots elsewhere. Many American composers were born in other countries and immigrated here. Many went abroad to receive their training, soaking up primarily … Read more

Friday Performance Pick – 254

barbara-allen

Barbara Allen We have made numerous references to musicologists who have gone out into the countryside to record folk music. Bartók and Kodály in Hungary, Kolberg in Poland, Janáček in Moravia, John and Alan Lomax in America, for example. And we’ve often noted how folk music … Read more

Friday Performance Pick – 251

Ferde-Grofé

Grofé, Grand Canyon Suite (Sunrise) Ferde Grofé (1892-1972) is perhaps best known for the musical landscape Grand Canyon Suite, the opening movement of which (“Sunrise”) is featured here. But Grofé has much more on his resume that deserves attention, in particular his long history with … Read more

Friday Performance Pick – 250

Jerome Kern, I’m Old Fashioned Jerome Kern (1885-1945) was one of the principal forces shaping American music in the early 20th century. Professor Carol often points to his 1927 musical Showboat as establishing the Broadway musical, our American form of opera. Songs from that show … Read more

Friday Performance Pick – 230

stephen-foster

Stephen Foster, Hard Times Come Again No More Each year as the Fourth of July approaches, I look for a Performance Pick that speaks to our American heritage. We’ve gone in many directions: Vieuxtemps’ variations on “Yankee Doodle,” works by Copland, Ives, Bill Monroe, and … Read more